Swing Dance Shoes
Ruthie Rheingold and Harry Rosenberg
"Whitey's White Lindy Hoppers"
Willa Mae Ricker
The Big Apple
Call Of The Jitterbug
Can't Top theLindyHop
When Harry Rosenberg first walked into the legendary Savoy Ballroom in
1936 and looked around the dance floor at the great dancers, he was not
intimidated. "I'm gonna be the best dancer in the Savoy Ballroom," he
himself. Then his eyes fell on Frankie Manning. As Harry told the
Frankie had not even swung out, he and his partner were just jockeying
in place. But Harry saw something and quickly revised his prediction:
gonna be the best white dancer in the Savoy Ballroom," he
Ruthie Rheingold Ettin first entered the Savoy Ballroom in 1934 when she was 16. It was a fluke -- her brother and his friend had been shown up by their dates, so they took her and her girlfriend instead. She recalls, "Although I was a little shy, the music took the shyness away." She became a regular at the Savoy.
Day At The Races
Outline Jitterbug Hist
The Policy Man
Radio City Revels
The Spirit Moves
Stompin' at the Savoy
Swingin'at the Savoy
Symphony in Black
was always on the lookout for talented dancers, and their race was not
an issue to him. Over the years there were a few white Lindy Hoppers in
Whitey's elite group. When Whitey approached Harry to join the group,
already had a partner picked out for him, a extraordinary white dancer
that Harry had never met. In fact, Whitey had never met her either, but
he was very good at spotting talent and matching partners. This time
no exception. They approached Ruthie Rheingold and surprised her with
invitation to become one of Whitey's Lindy Hoppers as Harry's partner.
Unfortunately, the rest of the country and the rest of the world were not as comfortable with racial mixing as the crowd at the Savoy Ballroom, so we do not get to see Harry and Ruthie dancing in any of the Whitey's Lindy Hoppers film clips in this archive. Ruthie remembers that when the press came to take photographs or newsfilms, she and Harry were always shooed out of the picture. "Why was that?" she asks today. Frankie Manning says that the censorship was imposed by the press and did not come from Whitey or the management of the Savoy Ballroom.
Ruthie recalls two professional engagements from their days in Whitey's Lindy Hoppers: a week at the Apollo, where Harry and Ruthie danced to the Duke Ellington Orchestra and another week there dancing to Fletcher Henderson.
Ruthie's dancing combined grace with a wonderful sense of rhythm and musicality. She recalls that the Duke himself was impressed with her dancing and wondered out loud why someone so talented, and white, would be a Lindy Hopper when she could aspire to being a star on Broadway or in Hollywood film-- options not available to the talented black youngsters. But Ruthie says she never thought about those things; she was too busy having a blast dancing to great swing music.
"All we wanted to do, morning,
night was dance. If we were tired we would dance and we weren't tired
We all felt that way. That was the bond between us."
|Written and researched by Judy Pritchett (C)2002,2011. May be reproduced only with explicit written permission. .Send your questions, corrections or comments to firstname.lastname@example.org|